Zur Alten Schule

14/06/2026

22/05/2026

Yesterday, I built a new hybrid live performance system within Studio1375 based on an eight-track Ableton Live framework.

From the very beginning, my intention was not simply to produce a conventional arrangement or a linear track.
The focus was on developing a modular real-time performance architecture in which multiple dynamic systems interact simultaneously.

I structured the entire setup functionally, organizing each individual track not only by sound, but by its specific role within the overall system.

The eight layers each serve different purposes:

– rhythmic primary structures
– modular sequences
– harmonic layers
– atmospheric textures
– performative effect chains
– adaptive transitions
– and spatial depth structures within the mix.

At the center of everything is Ableton Live functioning as the routing and performance engine.

The setup includes:
Roland TR-1000, Push 2, Native Instruments KOMPLETE M32, as well as several semi-modular Moog systems including DFAM, Subharmonicon, and Labyrinth.

The Roland TR-1000 is responsible for the core rhythmic foundation of the system.
The drum structures can either be performed completely live or controlled through prepared patterns that are continuously manipulated during the session.

This combination of direct live interaction and pre-structured groove foundations allows me to merge spontaneous dynamics with stable rhythmic architecture.

One of the most important aspects for me was the fundamentally different philosophy behind each signal and effect chain.

For example, I do not use delay and reverb structures merely as spatial effects.
Instead, I treat them as independent rhythmic and harmonic instruments within the system itself.

Some return channels exist purely to create depth and movement within the frequency spectrum and stereo panorama.
Other effect chains are intentionally designed to generate controlled instability and organic feedback movement.

This is exactly where electronic live music becomes truly fascinating for me:
the moment processes stop being entirely predictable and the system itself begins to react musically.

The real challenge was not the sound design of individual elements, but rather maintaining control over multiple moving layers simultaneously without overcrowding the overall mix.

To achieve this, I intentionally decoupled several processes:

– drums operate with independent groove variations
– modular sequences move polyrhythmically
– atmospheric layers react with delayed timing
– return channels handle tension and transitions
– while performance mappings control multiple parameter groups simultaneously.

As a result, the system does not behave like a static track.
It becomes a performative sound architecture in constant motion and evolution.

Especially within the context of Dub Techno and Detroit-inspired electronic music, this workflow fascinates me deeply because the music is driven less by obvious melodies and more by micro-variations, spatial movement, shifting energy, and subtle transformations inside repetitive structures.

Another essential component for me is the connection between:
analog instability, digital precision, and performative openness.

Many processes intentionally remain only partially controllable, allowing new sonic states to emerge during the session that could never be fully predicted beforehand.

That is precisely what makes electronic live performance so compelling to me.

The moment technology stops being merely a tool and instead becomes part of the musical interaction itself.

18/05/2026

“If 90 seconds disturb you, the experiment succeeded.
Share it, repost it, confuse somebody else.”
https://youtu.be/5_xDDk6RjSc

Today I spent hours exploring artificial intelligence, prompt structures, generative video workflows and audiovisual processes.Not just casually experimentin...

15/04/2026

/// STUDIO1375 /// 08:15PM /// 15.05.2026
https://youtu.be/gFY6Z8nnQJE

60 minutes of vinyl pressure.
Two Technics 1210s, Xone in the red zone – no sync, just control.

Straightforward, but not dull:
Tight beatmatching, rolling low-end textures, driving hi-hats, minimal cuts.

The set builds up –
layer by layer, groove by groove.
Breaks are kept short, tension remains constant in the system.

No unnecessary frills, just function on the floor:
Dub techno meets raw, hypnotic techno.

The peak hits exactly where it needs to –
and just when you think it’s over, the end pulls you right back to the start.

Boomerang effect. Repeat mode.

The visuals unfold their full effect in the dark –
minimalist, high-contrast, in harmony with the sound.

https://youtu.be/gFY6Z8nnQJE

This is a 60-minute vinyl mix, originally recorded as part of a curated radio show. Played on two Technics 1210 turntables and mixed through an Allen & Heath...

21/12/2025

Unfortunately, I made a mistake in the programming yesterday, so yesterday's programme will be shown today as a premiere.

08:30PM / YouTube https://youtu.be/ofOuo5jpGSU

We're entering the fourth round –
not more perfect, but more conscious.
Not to the point, but in the moment.

Vinyl only. Straight from the booth.
What you hear is exactly what's happening:
Records don't always grip with millimetre precision, transitions breathe, frequencies shift. That's not a mistake – that's analogue. That's real DJ culture.

1210s under your hands, EQs flowing, dubby delay tracks filling the room.
Deep cuts meet raw grooves, hypnotic passages meet peak-time energy – carried by heavy basslines that don't explain, they just work.

Nothing is polished, nothing is corrected.
This set thrives on decisions made in the moment, on small imperfections, on what happens when man and machine meet.

The whole thing is accompanied by trippy visual EFX – raw, direct and hypnotic.
Boiler session vibes, transferred to your living room dance floor.

SIGNALS FROM THE BOOTH stands for the unplanned, the imperfect and, precisely because of that, the authentic.
If you feel vinyl, if you know that magic can't always be planned, then you've come to the right place.

Fourth round.
Same attitude.
More depth.

https://youtu.be/ofOuo5jpGSU

Videocast #4 SIGNALS FROM THE BOOTH We're entering the fourth round –not more perfect, but more conscious.Not to the point, but in the moment.Vinyl only. Stra...

04/12/2025

34 Years of SCIENCE FRICTION TECHNO:
Resistance, Rebellion & Future Activism ✊
File this night under TECHNO - HOUSE - ACID - DETROIT - CHICAGO - ELECTRO / HITECH-FUNK + THE UNEXPECTED.
The line-up so far confirmed (in alphabetical order):
Alec Tucker - Cls Bchr (Psycho Thrill) - DJ ALTO (Abstract Rhythm) - Derrick Train (Drivetrain) Soiree RecordsInternational (Soiree Rec.Int. DET / 3rd Ear UK) - DRUM:MAJOR 2525 (S.D.I) - MaeshRoombOY UA - Markus Funke - REDMADVELVET (Teknotika DET) - Roland Casper (Psycho Thrill) ...
The higher U fly, the higher U go. More detailed info soon here or via
https://www.facebook.com/groups/111172392279996
Bookmark(s):
https://www.morgengrau.net/.../34-years-of-psycho.../78327
ATTENTION :: Our location will be announced here via private message to all participants and simultaneously in the Psycho Thrill camp_Cologne (https://www.facebook.com/groups/111172392279996) 36 hours before the start of the event (Friday, December 5th). The same applies to email traffic via the Psycho Thrill email newsletter!

Check out Markus Funke’s video.