10/01/2026
๐ข๐ก ๐ง๐๐๐ฆ ๐๐๐ง๐, ๐๐ฐ๐๐ฏ๐ ๐๐ญ ๐ป๐๐ฌ ๐ณ๐๐ฝ๐๐ต๐ ๐ฟ๐ฌ๐ผ๐ซ ๐ฃ๐ฅ๐๐ ๐๐๐ฅ๐๐ ๐๐๐ฅ๐
The modern zombie genre was born on October 1,1968 at the Fulton Theater (now the Byham) on Sixth Street downtown Pittsburgh. Thatโs the night that ๐๐๐โ๐ก ๐๐ ๐กโ๐ ๐ฟ๐๐ฃ๐๐๐ ๐ท๐๐๐ premiered. It was made by a local company called Latent Image, which had its offices on the fifth floor of 247 Fort Pitt Boulevard downtown. Latent Image made industrial films and local television commercials for companies like Iron City B**r, Duke B**r, and Calgon. It was run by wannabe filmmakers George Romero, the great Russ Streiner, and the wonderful John Russo who decided to use their skills to make a real movie.
โNight of the Living Deadโ was produced on a shoestring budget, but the finished product raised "gruesome" to a stark, brutal art form and became one of the most influential horror films ever produced. Fans of โThe Walking Deadโ and every other zombie incarnation owe the Latent Image boys a debt of gratitude.
Everyone knows that the iconic opening graveyard scene was shot at the Evans City Cemetery. But the scenes set in the basement of the farmhouse that was overrun by zombies--including the grotesque moment when a little girl zombie devoured her father--were shot in the basement of 247 Fort Pitt Boulevard, in the heart of downtown Pittsburgh. Whoโd have thought it?
Romero, of course, became an iconic director in the horror genre. Sadly, he died in July of 2017 (as he passed away, he was listening to the soundtrack of one of his favorite films, John Ford's beloved "The Quiet Man"--about as far removed from NOTLD as you can get).
But Streiner (the film's producer and "Johnny," the film's first victim) and Russo (co-writer) are still going strong. In the decades following ๐๐๐๐ฟ๐ท, Streiner played a critical role in making Pittsburgh a bona fide destination for filmmakers, something unimaginable before ๐๐๐๐ฟ๐ท.
As for Russo--it needs to be noted that the modern zombie that we all know was his brainchild. He, too, has remained active, spreading the gospel of the living dead in books and films.
The day after ๐๐๐๐ฟ๐ท premiered, the Pittsburgh Press, the city's leading newspaper back then, said it was โso grislyโ that โit even shook up the hardiest of chiller-thriller fans.โ The paper hailed it as "a rouser for the strong-stomached, horror film addict." A chorus of critics agreed: "...one of the best horror films ever made." (Andrew Sarris, The Village Voice) "One of the most gruesomely terrifying movies ever made . . . ." (Pauline Kael) "If you do like horror films, this may well be the most horrifying ever made." (Elliott Stein, Sight and Sound).
But, of course, some critics just didn't get it. Irritable Vincent Canby of the New York Times wrote: "Night of the Living Dead is a grainy little movie acted by what appear to be nonprofessional actors, who are besieged in a farm house by some other nonprofessional actors who stagger around, stiff-legged, pretending to be flesh-eating ghouls." Canby couldn't even bring himself to mention the Latent Image boys by name, saying only that the film "was made by some people in Pittsburgh." Read it again: โsome people in Pittsburgh.โ History proved Canby's churlish remarks a notable misfire.
The Latent Image boys made commercials for a living and knew something about marketing. A newspaper ad announced that anyone frightened to death by the film would be insured for $50,000, a la shock-meister William Castle (John Goodman's character in the film "Matinee" was based on Castle).
Aside from Romero, Streiner, and Russo, there was also Karl Hardman, co-producer who played angry โHarry Cooperโ (he was the one who got eaten by his daughter). Hardman was an alumnus of Cordic & Company, Pittsburgh's most-popular-ever radio show. And there was Charles Craig, the chillingly realistic newscaster. And dignified Judith O'Dea coming unglued while the film's star, Duane Jonesโa fine actorโtried to inject rationality into madness. And there was Bill Hinzman, who killed "Johnny" in the opening scene and is still the best zombie ever to stagger through a cemetery.
And we can't forget everyone's favorite snippet of dialogue--between the field reporter, played by late Pittsburgh broadcasting icon โChillyโ Billy Cardille, and the sheriff, played by the late, great George Kosana (also the film's production manager):
CARDILLE: Are they slow-moving, chief?
KOSANA: Yeah, they're dead. They're all messed up.
Kosana also delivered the filmโs greatest line, at the end of the film: โThatโs another one for the fire.โ (In context, it packs a wallopโwe wonโt give it away here for anyone who hasnโt seen it.)
The film should have made everyone who owned a piece of it rich, but it didn't--the distributor forgot to put the copyright notice on the theatrical prints, and the film ended up in the public domain.
One time, I took a group to the Evans City Cemetery and showed them the spots where the action occurred in the filmโs memorable first scene. Despite some notable changes, overall, the grand old burying ground looks a lot like it did on that day in 1967 when Pittsburghโs first-ever film crew arrived and, in his best Boris Karloff, Russ Streiner snarled, "They're coming to get you, Barbara!" On our visit, I explained to our group that ๐๐๐๐ฟ๐ท's devotees from around the world make pilgrimages to the beloved cemetery. Then, as if on cue, a car pulled up and a man from the Philippines got out. He told me that he, too, had come to traverse hallowed horror film ground, though his journey was a lot longer than ours.
On that October evening when ๐๐๐๐ฟ๐ทpremiered at the Fulton way back in turbulent 1968, a few blocks away, the mammoth Warner Theater on Fifth Avenue was showing Stanley Kubrick's landmark โ2001: A Space Odysseyโ on its 70 mm screen. Oaklandโs Kingโs Court Theater had Zero Mostel and Gene Wilder in Mel Brooksโ original โThe Producers.โ And, of course, there were far more serious things going on, too. Richard Nixon and Hubert Humphrey were in a heated battle for the presidency, and the question of whether to halt the bombing in North Vietnam had become a campaign issue--proving that real life can be more frightening than anything conjured up by either Hollywood or โHollywood on the Mon.โ
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๐๐ฉ๐๐ง๐ ๐๐๐ฅ๐ฅ๐จ๐ฐ๐๐๐ง ๐ฌ๐๐๐ฌ๐จ๐ง ๐ฐ๐ข๐ญ๐ก ๐ญ๐ก๐ ๐ ๐ก๐จ๐ฌ๐ญ๐ฌ ๐จ๐ ๐๐ข๐ญ๐ญ๐ฌ๐๐ฎ๐ซ๐ ๐ก!
๐๐ ๐๐๐ผ๐๐: The Haunted Pittsburgh Players reenact Pittsburghโs greatest tales of the unexplained in a spooky, hilarious Halloween mash-upโitโs ๐๐๐ ๐๐๐ช๐ฃ๐ฉ๐๐ ๐๐๐๐ง๐ค๐๐ at the Kelly-Strayhorn Theater. Pittsburgh has a North Side and a South Side--but on October 17, weโll take you to ๐กโ๐ ๐๐๐๐ ๐ ๐๐๐. We know where all the bodies are buried!
๐ป๐ฏ๐ฌ ๐ฏ๐จ๐ผ๐ต๐ป๐ฌ๐ซ ๐ท๐ฐ๐ฌ๐น๐ถ๐ฎ๐ฐ
๐๐๐ญ๐จ๐๐๐ซ ๐๐ -- ๐๐๐ฅ๐ฅ๐ฒ ๐๐ญ๐ซ๐๐ฒ๐ก๐จ๐ซ๐ง ๐๐ก๐๐๐ญ๐๐ซ,
5941 Penn Avenue, Pittsburgh, PA 15206
๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐: https://kelly-strayhorn.org/events/the-haunted-pierogi/