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Kim Jee-woon’s (A Tale of Two Sisters) debut follows an eccentric family who run a sleepy hotel in the countryside. But ...
23/05/2022

Kim Jee-woon’s (A Tale of Two Sisters) debut follows an eccentric family who run a sleepy hotel in the countryside. But things get out of hand at the Misty Inn after a lonely drifter stabs himself to death with his room key – and successive guests are soon ending up dead. Japanese provocateur Takashi Miike added zombies and musical showpieces in his 2003 remake, The Happiness of the Katakuris. But Kim’s darkly comic original remains a singular joy, not least for an outstanding cast that boasts Oldboy’s Choi Min-sik and Parasite’s Song Kang-ho.

A depraved serial killer is on the loose in Seoul in this brilliantly gloomy, blood-drenched Korean neo-noir. The kicker...
23/05/2022

A depraved serial killer is on the loose in Seoul in this brilliantly gloomy, blood-drenched Korean neo-noir. The kicker? The dismembered limbs found at each crime scene don’t all belong to the same victim. Influenced by David Fincher’s Seven, Tell Me Something was a major hit in Korea when it came out and it still stands up. The film’s soundtrack, meanwhile, helped the film build a rep overseas – with moody cuts from Enya, Nick Cave and Placebo providing a solid ’90s nostalgia hit

A gloriously framed rumination on life and the passing of time, an American version of Kim Ki-duk’s gentle parable would...
23/05/2022

A gloriously framed rumination on life and the passing of time, an American version of Kim Ki-duk’s gentle parable would almost certainly be directed by Terrence Malick. A Buddhist monk grows up in a floating temple on a remote lake. Each phase of life is backdropped by a different season – we get two goes at spring, because who doesn’t love spring? – but despite its contemplative nature, Kim’s masterpiece still finds a way to confront its tougher, seemier side too. It was filmed at Jusanji Pond in Juwangsan National Park, where trees emerge from the surface of the man-made lake and serenity is guaranteed. The temple itself, alas, was built for the film.

The futility of revenge is a common theme in South Korean cinema, but it’s never been rendered more kinetically – or vio...
23/05/2022

The futility of revenge is a common theme in South Korean cinema, but it’s never been rendered more kinetically – or violently – than in Kim Jee-woon’s nightmarish thriller. (And if you’ve seen any of Park Chan-wook’s Vengeance Trilogy, you know that’s saying something.) An intelligence agent, devastated by the brutal murder of his pregnant wife, goes rogue in the search for the killer, ensuring he doesn’t get off with something so easy as prison. To call it ‘gruesome’ is an understatement, but it’s beautiful, too: a ballet of blood to rival anything in the Nicolas Winding Refn playbook.

After breaking through with the gripping psychological horror story A Tale of Two Sisters, Kim Jee-woon turned his eye f...
23/05/2022

After breaking through with the gripping psychological horror story A Tale of Two Sisters, Kim Jee-woon turned his eye for balletic violence toward the action-thriller genre with this John Woo homage. A hitman (Lee Byung-hun) is ordered to keep an eye on his boss’s mistress and execute her if it turns out she’s cheating on him. When he refuses to do the job, the crime lord turns his aggression toward him. A simple setup, but the ensuing shootouts are expertly orchestrated, but Byung-hun’s portrayal of a killer with a conscience is remarkably soulful.

Filmmaker Im Sang-soo is often described as Korea’s controversy magnet, with erotically-charged tales of sexual deviance...
23/05/2022

Filmmaker Im Sang-soo is often described as Korea’s controversy magnet, with erotically-charged tales of sexual deviance among the aristocracy (see: The Housemaid and The Taste of Money) the source of his reputation. The President’s Last Bang was no less provocative; this satirical take on the real-life assassination of Korean President Park Chung-hee in 1979 landed its director in court and resulted in four minutes of the film being excised. Nonetheless, this entertaining interpretation remains superior to Woo Min-ho’s much straighter 2021 version of events, The Man Standing Next.

A precursor, in some ways, to the genre-blurring style he’d later employ in Parasite, B**g Joon-ho’s fourth film is perh...
23/05/2022

A precursor, in some ways, to the genre-blurring style he’d later employ in Parasite, B**g Joon-ho’s fourth film is perhaps his strangest, a mash-up of psychological drama, black comedy and murder mystery, with an elderly matriarch at its centre. Kim Hye-ja plays the titular unnamed single mother who attempts to clear her mentally disabled son’s name after he’s accused of killing a young girl. It sounds relatively straightforward, but the odd tone and plot twists mark it as an utterly individual work from a director incapable of doing anything boilerplate.

Effectively the first major blockbuster of the New Korean Cinema era, this high-octane thriller follows a team of North ...
23/05/2022

Effectively the first major blockbuster of the New Korean Cinema era, this high-octane thriller follows a team of North Korean terrorists (led by Oldboy’s Choi Min-sik) bent on Seoul’s destruction, and the Southern intelligence agents (Parasite’s Song Kang-ho and Tell Me Something’s Han Suk-kyu) attempting to foil them. It’s full of dizzying camerawork, sidewalk shootouts, ticking time-bombs and massive explosions, and stands shoulder-to-shoulder with ’90s classics like Mission: Impossible and The Rock.

In an isolated fishing village, a mute part-time pr******te takes a liking to a mysterious visitor with a troubled past....
23/05/2022

In an isolated fishing village, a mute part-time pr******te takes a liking to a mysterious visitor with a troubled past. If that sounds like the setup for a staid emotional drama, well, that’s before the fish hooks get involved. The Isle caused fainting and walkouts when it premiered on the festival circuit, but Kim Ki-Duk’s aim isn’t empty provocation. Gorgeously shot, it’s poetic as it is painful, and if you make it all the way through, its meditation on jealousy and obsession will leave a mark.

Kwon Oh-seung’s debut could be Korea’s finest serial killer thriller since The Chaser and I Saw The Devil. This urban an...
23/05/2022

Kwon Oh-seung’s debut could be Korea’s finest serial killer thriller since The Chaser and I Saw The Devil. This urban and energetic stalker drama is no rehash, though – it’s a clever spin on a classic formula. The would-be victim of Midnight is deaf, which means her navigation of the neon-soaked surroundings depends on an entirely different set of skills to her able-bodied pursuer (portrayed menacingly by Squid Game actor Wi Ha-jun).

Its Somali characters are paper thin – if that – but this ever-more amped-up action-thriller delivers in nearly every ot...
23/05/2022

Its Somali characters are paper thin – if that – but this ever-more amped-up action-thriller delivers in nearly every other area as it recounts the true-ish story of North and South Korean diplomats teaming up to escape Mogadishu as it falls into violent revolution in 1991. Director Ryoo Seung-wan lays bare just how hard it for these kinda-compatriots to span that ideological chasm, even with gangs of AK-47-wielding guerillas on their tails, but he really pins his ears back with a climactic car chase packed with ludicrous camera moves.

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